Behind the Scenes

In Conversation with Garth Trinidad

Garth Trinidad by Kawai Matthews

AfroLatino is an ongoing dialogue about the roots of rhythm,” KCRW DJ Garth Trinidad tells me. As a native Angeleno, I’ve been listening to him on the radio for as long as I can remember. I arrive at KCRW under the cover of darkness, just after Garth’s show finishes at 10 p.m., to talk to Garth about the AfroLatino show taking place at the Ford on September 10.

Gabriel García Márquez At The Ford

Tiempo de Morir

In 1965, immediately before locking himself in his home for 18 months to beat writer’s block and compose One Thousand Years of Solitude, Gabriel García Márquez wrote a movie called Tiempo de morir. Though the film is cited by the likes of Guillermo del Toro and Alejandro González Iñárritu as an inspiration, and is considered a classic in Mexico, it is nearly impossible to see in the US.

TAIKOPROJECT + QUETZAL = LA

TAIKOPROJECT and Quetzal

Their upcoming show – which opens the Ford’s 2016 Summer Season – has the mark of a true collaboration: a drummer starts a beat, or a guitarist lays down a riff, and together the groups write a song. This process was common for Quetzal, as a rock group, but something new for TAIKOPROJECT.

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